Terror Management Theory – Emma Bolden
To think when I was a child all of my adults
walked into & out of doors like I now do, fearing
death & taxes, tasting the bitter tongue of some
ending I’ll be forced to kiss. When I was a child
on beach vacations I counted the number of days
we’d already been there & the number of days
we had left & it scared me in the same way the sea
scared me. All of that, unfathomable. An endlessness
both empty & full. When I hold a shell to my ear
it tells me its best rumors in a language inexplicable
except to say it does not belong to me. What does
belong to me. Can I try hard enough to believe I am
living with this body like a very good pet, can I
believe that if I care for it well this body will follow
my will, quiet, quiet, will heel & heal & stay, stay, stay.
As a child I kept a glass tank full of goldfish who
swam & shat & worked their best at their job, which
was dying. Later my mother explained the aquarium
as the place where children gently learn about death.
No matter how many or much we love. No matter
the treasure chest no matter the castle no matter
how neon the gravel no matter how many Saturdays
my father cussed the glass & the hosepipe & the sun
that pink-stained his skin to mark each hour he spent
cleaning the tank. Sun translated as burn as bad mole,
as cells making their own decisions. To die. To share
their dying. Every moment we believe we are living
without believing we are also dying is a very good lie
like alchemy, like any theory regarding the beautiful
preservation of gold. The first second third & every
time I looked into the fish tank & saw death –
bloated sacks of scaled skin, rot-gunned, reeking –
I couldn’t get over. I couldn’t stop hearing what
the shell told me, which was all that I would never
understand. A life is always both empty & full.
Emma Bolden is the author of House Is An Enigma (SEMO Press), medi(t)ations (Noctuary Press), Maleficae (GenPop Books), and four chapbooks. A 2017 NEA Fellow in Poetry, her work has appeared in The Best American Poetry, The Best Small Fictions, and Poetry Daily. She is Associate Editor-in-Chief of Tupelo Quarterly.
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So true…life both empty and full